“Fifty Shades of Grey” is certainly stirring up controversy, isn’t it? Not only that, but it also dominated the box office this weekend, with a record-breaking $94.4 million. But what would you expect from a movie that involves a red “playroom” with assorted whips and chains, and a billionaire who presents his potential playmate with a written contract? Everyone (and their mother) has something to say about this steamy movie based on the erotic novel by E.L. James.
￼Directed by Sam Taylor-Johnson (a female filmmaker who also helmed 2009’s ￼award-winning “Nowhere Boy,” chronicling John Lennon’s early years), “Fifty ￼Shades” begins with college literature student Anastasia Steele (Dakota Johnson, ￼daughter of Melanie Griffith and Don Johnson) stepping in for her flu-ridden ￼journalism major roommate, Kate (Eloise Mumford), to interview 27-year-old ￼billionaire Christian Grey (Jamie Dornan).
￼The mysterious and handsome man is immediately smitten with the soft-spoken ￼brunette (seriously, she sounds just like her real-life mom in “Working Girl“). So ￼much so that he shows up (somewhat creepily) at the hardware store where she ￼works, which is super convenient because he needs to pick up a few things: rope, ￼cable ties, duct tape…
￼Knowing her love for classic books, he messengers over some cool first editions ￼like Thomas Hardy’s “Tess of the d’Urbervilles” and then later shows up at a club ￼to hold her hair back while she pukes in a drunken stupor.
￼But that’s just foreplay. Christian then presents “Ana” with a contract mapping ￼out the conditions of a dominant-submissive sexual relationship with him. That’s ￼when he learns she’s actually a virgin and thus, not well-versed in, well, anything ￼having to do with sex, much less the whips and handcuffs in his red-walled ￼”playroom.”
￼While she reviews the contract, they start an intense affair that makes them both ￼question everything they thought they knew about relationships.
￼I haven’t read E.L. James’ book on which this movie is based, but from what I’ve ￼heard, the movie is actually better than the book, which began as a piece of ￼”Twilight” fan-fiction titled “Master of the Universe.”
Opinions about Christian and Ana’s relationship range from abusive to ￼empowering. I can see both sides of it. The whole idea of BDSM is weird to me. I ￼mean, how can being on the painful end of a whip be anything but awful? You’ve ￼gotta be seriously messed up to enjoy that.
￼Yes, Christian stalks her at first and says he’s obsessed with her. On the other ￼hand, Ana doesn’t sign the contract right away (and good for her, since the wording is extremely controlling, right down to what she can and can’t eat). She retains some control over things, and — at least in the movie — he makes sure she understands the concept of “safe words,” if anything gets too intense. And everything appears to be consensual — at least in the movie.
As Christian, Dornan is brooding and tortured, having had “a rough start in life,” and Johnson is both vulnerable and curious as Anastasia. They’re both extremely good looking, and despite stories in the press to the contrary, they generate a good amount of heat and even some comic moments.
￼Rounding out the cast is Jennifer Ehle as Ana’s mom, Luke Grimes and Marcia Gay ￼Harden as Christian’s parents, and Rita Ora as his sister, Mia.
For me, the movie isn’t so much about the kinky sex as it is about the relationship of this damaged soul and the young girl he invites lures into his world. At first, she doesn’t really know what she’s getting into, and between his lavish apartment and private helicopter, it’s no wonder she’s intrigued.
Sure, there are some cringe-worthy moments, like when Christian broodingly plays the piano (Edward Cullen, anyone?), when Ana bites her lip and it drives him crazy (I’m pretty sure Bella bit her lip quite often), and when Christian starts kissing Ana wildly in an elevator. There are romantic glider rides, smoldering glances, and yes, the occasional detour into S&M.
But the best parts of the movie aren’t about the sex, but rather the scenes where Christian and Ana are getting to know each other — the “business meeting” she calls to discuss the contract, the scene where he shows up at the hardware store, the drunken phone call she places to him from the nightclub. I also love the sultry soundtrack, which includes Beyonce’s “Crazy in Love” and Ellie Goulding‘s “Love Me Like You Do.”
Devoted fans of the book trilogy will be delighted to know that the studio has already committed to making the second and third books, “Fifty Shades Darker” and “Fifty Shades Freed,” into movies, as well. Which is great, because I really want to see what happens next.
Reel Rating: 3.5 out of 5 Reels
MPAA Rating: R for strong sexual content, including dialogue, some unusual behavior and graphic nudity, and for language
Released in Theaters: Feb. 13, 2015
Best for Ages: 18+
Genre: Drama, Based on a Book
Runtime: 125 minutes
Directed by: Sam Taylor-Johnson
Studio: Focus Features
Cast: Dakota Johnson, Jamie Dornan, Eloise Mumford
JANE’S REEL RATING SYSTEM:
One Reel – Even the Force can’t save it.
Two Reels – Coulda been a contender.
Three Reels – Something to talk about.
Four Reels – You want the truth? Great flick!
Five Reels – Wow! The stuff dreams are made of.
Jane Boursaw is a well-known film critic and editor-in-chief of Reel Life With Jane. Images in this review used courtesy of Focus Features.